Ritual Candles
Textured Pillar - Small

Cassaria Young Hogan’s work is a joyful chronicle of bush trips to her grandfather’s Country south west of Kalka, encompassing the sacred sites of Kunatjara in South Australia and Mamutjara over the border in Western Australia.Young Hogan shares a mastery of vibrant colour with her grandfather, senior lawman Nyayati Stanley Young. The artist harnesses her striking colour palette to create a cast of electric characters that boldly announce themselves, jostling for attention against a black background.The viewer is left to marvel at the neon gathering of forms, perhaps catching glimpses of maku (witchetty grub) and tjala (honey ants) as they are scooped up by Young Hogan and her family during a bush trip to her grandfather’s homelands.110 x 110cm 12mm 100% silk satin with hand-rolled edges.Scarves come in a gift box that includes an authentication card detailing the Artist's practice.

Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.Taylor’s portraits and allegorical tableaux – populated by friends, family members, strangers on the street, athletic stars and entertainers – display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture.240 pages191 colour illustrations28 x 23 cmManic Books

Dimensions vary with every mug set.Mugs are stoneware fired, dishwasher (please pack carefully to not place pressure on the handles) and microwave safe.Wendy Ma (Kaomoji Ceramics) is a Meanjin (Brisbane) based Ceramic Artist driven by a desire to stimulate joy and warmth - recognising the impact a carefully placed ceramic piece can have on a home space.Her bright, modern homewares encourage ritualistic use to elevate your mood and routine - transforming ordinary meals or your morning coffee into a relished experience.With a background in design and fashion, Wendy has been practicing in ceramics since 2015. Creating under the moniker 'Kaomoji' the term is borrowed from the Japanese art of using symbols to convey emotion.

Crafted by hand in Meanjin (Brisbane) Australia. Solid 925 Sterling Silver with 45cm chain.The Woman Symbol. The upside-down U shape represents a person and the symbol to the left is a digging stick. Crafted by Aboriginal Women, digging sticks are used to dig for food and clap in ceremonies. Bringing these two symbols together represents a Woman.A proud descendant of Kamilaroi and Dunghutti people, Ebony draws inspiration from her cultural background for all her hand-crafted pieces. EB jewellery expresses an enduring sense of identity and personal relationship to country. Using recycled precious metals for minimal to zero waste, these ethical and transparent practises are fundamental to demonstrate the significance of environment for the EB Jewellery brand.

‘Letting it Sink in’ (left)2022Oil on Wood33 x 24 cmframed‘Letting it Soak in’ (right)2022Oil/Acrylic on canvas33 x 24 cmframedArtworks available for purchase individually on enquiry.Miri Badger is an Australian representational painter living and working in Meanjin (Brisbane). Utilising a highly-saturated colour palette, and assertively flat brushstrokes to render form, her chosen subject matter investigates uncanny human interactions and psychological states. The amalgamation of seemingly mismatched objects and figures results in an unusual mixture of pathos and eerie amusement in her paintings.

Once reserved to the writings of science fiction, for over a decade now Austin Lee has explored the shrinking dichotomy between the real world and virtual reality. His hypersaturated airbrush paintings are created through a combination of traditional painterly techniques, along with the latest digital tools.This extends into 'Like It Is', where Lee further investigates recognisable cultural motifs and art historical imagery, spanning from archival photos and tarot cards to Vermeer paintings. Screaming with colour, each psychedelic composition is partly inspired by the famous Rorschach test, a diagnostic psychological study that uses a subject’s perception of inkblots to analyse their personality characteristics and emotional functioning.Like It Is, is a softcover publication documenting Austin Lee's recent solo exhibition at Jeffrey Deitch, as well as a series of drawings and interactive AR elements. Press: Hypebeast, Print