Unknown
Nylon Bilum 3

Sterling Silver ball chain hangs both in front and behind the ear, suspended from sterling silver posts and nuts. Hanging length: approx. 8.5cm.Available in two colours: bright silver, and dark silver.Paula Dunlop is an Artist, Designer and Maker based in Meanjin (Brisbane), Australia. Her work is sometimes for the body, sometimes not; she creates both wearables and non-wearables, working contemporaneously across the two and in their in-between spaces.  Her jewellery is materials- and process-driven; she takes her lead from the possibilities presented by the materials, or by exploring and extending time-honoured (and often time-consuming) construction techniques. 

Everyone loves a Block Party, and you're invited. Each character with a unique personality and story to tell, are shaped by the communities they live in. Stack and rearrange their pieces any way you like – or mix and match to create your own collection of neighbourhood friends. Recommended for ages 6 and up.8.89cm W x 2.5cm D x 17.8cm H

Assembling a Black Counter Culture is a general history of techno and adjacent electronic music genres, with a focus on Black experiences in industrialised labour systems. It confidently explores the development of on-the-ground culture in relation to a uniquely American art form.Revisiting Detroit’s techno roots through the 1980s, writer and musician DeForrest Brown, Jr. follows the extended thinking and techniques behind key early players and places them in conversation with the African-American working class in the historically emblematic Motor City. From The Belleville Three to today’s international club floor, 'Assembling a Black Counter Culture' illuminates the mechanics of American mainstream cultural production and reinstates electronic music from a Black theoretical perspective.A critical reconsideration emerges with references to Theodore Roszak’s Making of a Counter Culture, writings by African-American autoworker and political activist James Boggs, and the 'techno rebels' of Alvin Toffler’s Third Wave, among others, tracing parallels between movements in Black electronic music and attempts to evade and subvert the race and class-essentialist status quo established by American technocratic distribution of labor and capital.128 pages, 17.5 x 10.5 cm, softcover, Primary Information (New York).

Dimensions vary with every mug. Mugs are stoneware fired, dishwasher (please pack carefully to not place pressure on the handles) and microwave safe.Wendy Ma (Kaomoji Ceramics) is a Meanjin (Brisbane) based Ceramic Artist driven by a desire to stimulate joy and warmth - recognising the impact a carefully placed ceramic piece can have on a home space. Her bright, modern homewares encourage ritualistic use to elevate your mood and routine - transforming ordinary meals or your morning coffee into a relished experience.With a background in design and fashion, Wendy has been practicing in ceramics since 2015. Creating under the moniker 'Kaomoji' the term is borrowed from the Japanese art of using symbols to convey emotion.

SPECIAL EDITIONPerimeter Editions and Lenard Smith have produced a special edition of 25 copies of 'Melancholy Objects'.It’s no mistake that Lenard Smith’s new book borrows its title from Susan Sontag’s 1977 essay of the same name. Melancholy Objects – the Los Angeles-based Artist grounds the photographic endeavour in the surreal, the introspective, and the referential. Working in the tradition of the ragpicker, Smith sifts through personal and found objects to create formal compositions that gently intersect sculpture with the still life - broaching new purposes and hierarchies, and pulsing with a sense of humour, play, and solemnity.Unlikely materials and choreographies elicit a furrow or a smirk. While history and function inspire each photograph, it is the imagination that subverts and ungrounds them. In the spirit of Dadaism, we’re left happily adrift in their presence.110 pages21 x 12.5 cmSoftcover Perimeter Editions

Tjungurrayi’s untitled painting depicts Kirritjinna, a rock hole site south-west of Lake MacDonald - a vast ephemeral salt lake straddling the border between Western Australia and the Northern Territory. During ancestral times, a large group of Tingari Men camped at this site before travelling to Lake MacDonald. The legends of the Tingari are secret-scared in nature, but in general, they are a group of ancestral Dreaming beings who traversed the country, creating and transforming the landscape through their travels. The Tingari Men were usually followed by Tingari Women and accompanied by novices, and their adventures are enshrined in numerous song cycles.Tjungurrayi painted the places he used to walk around as a boy growing up in the desert. Kirritjinna, close to the place of his birth, is rendered in the artist’s signature style – a central, undulating water source forming part of a network, connecting people, Country, and Law. A master of movement and restraint, Tjungurrayi uses subtle variations in tone to create depth in this work, his fiery palette giving life to the ancestral footprints that connect the sites of his Country.92cm x 100cm 16mm 100% silk satin with hand-rolled edges and double-sided printing.Scarves come in a gift box that includes an authentication card detailing the Artist's practice.