Gretel Bull
The Centre Cannot Hold

9.8 CM DiameterHand-poured Acrylic ResinA set of four rounded coasters with an art deco-inspired holder in lilac, green and deep brown tones

'Măiastra: A History of Romanian Sculpture in Twenty-Four Parts' by Igor Gyalakuthy is an experimental novel by artist Timothy Stanley. Presented as a series of scholarly articles on the history of Romanian art, the collection was written under the pseudonym Dr. Gyalakuthy: a retired Art Historian from Romania, writing a final treatise on the plastic art of his homeland before time and the ravages of mental illness take him. Dr. Gyalakuthy sees Măiastra as an opportunity to shake off the rust of the cultural dark ages of Communism and to present the history of Art in Romania as he understands it. Volume One was originally published as a quarterly column in The Miami Rail. Volume Two to be released in fall 2021.Press: Miami Rail, Hudson EyeCollections: MoMA LibraryPublished by Pacific, 2019Softcover 168 pages, 5½ × 7¾ inchesEdition of 250

Archival Print2022Giclee print on Sihl Masterclass cotton (smooth)400 x 490mmEdition of 10To ensure responsible production we print per orderFramed option available - email us for pricing and information

Archival Print2022Giclee print on Sihl Masterclass cotton (smooth)320 x 360mmEdition of 10To ensure responsible production we print per orderFramed option available - email us for pricing and information

The Goober Candle is cast in unscented wax from playful forms originally created by Talbot & Yoon in their Brooklyn studio. Each Goober has a distinctive shape and character, which look great together as a set!Dimensions: 9cm x 11.5cm Burn time: Green and Blue Goobers is approximately 24 hours / Pink and Purple Goobers is approximately 40 hours.

'Cut Papers' features some of the artist’s most whimsical and intriguing works made on paper and in paper, alongside a select group of sculptures in metal, wood and ceramic. The first publication to focus solely on Picasso’s cut papers, this book features many works reproduced for the first time with newly commissioned photography, alongside new scholarship on a little-known aspect of one of the 20th century’s most pivotal practices.Although Picasso rarely sold or exhibited his cut papers (or papiers découpés) during his lifetime, he signed, dated and archived them just as he did all his works. They were simply part of a more private studio practice, often made for family or as models for his fabricators.Also featured is a photo section that surveys Picasso’s engagement with cut paper and sculpture over the decades and documents his practice of cutting paper, both in and out of the studio.256 pages150 colour illustrations25 x 22 cm.DelMonico Books/Hammer Museum