Ruby Yeh
Healing Wounds II

Cassaria Young Hogan’s work is a joyful chronicle of bush trips to her grandfather’s Country south west of Kalka, encompassing the sacred sites of Kunatjara in South Australia and Mamutjara over the border in Western Australia.Young Hogan shares a mastery of vibrant colour with her grandfather, senior lawman Nyayati Stanley Young. The artist harnesses her striking colour palette to create a cast of electric characters that boldly announce themselves, jostling for attention against a black background.The viewer is left to marvel at the neon gathering of forms, perhaps catching glimpses of maku (witchetty grub) and tjala (honey ants) as they are scooped up by Young Hogan and her family during a bush trip to her grandfather’s homelands.110 x 110cm 12mm 100% silk satin with hand-rolled edges.Scarves come in a gift box that includes an authentication card detailing the Artist's practice.

Cubebot® is a wooden toy robot inspired by Japanese Shinto Kumi-ki puzzles. Made from wood and elastic, Cubebot can be positioned to hold dozens of poses! Cubebot folds back into a perfect cube when it's time to rest. A classic toy for all ages that will endure generations of play. Recommended for ages 3 years old and up.Materials: Beech, elastic, water-based paintDimensions: 3.5 x 3.5 in the cube, 9.5 in tall, 12.75 in arm span

This book brings together ideas and projects that seek to define a new role for design based on empathy. As a mediator of emotions and feelings, design is presented here as a practice that takes care as its main purpose. Designers adopt sensitive, diplomatic, and sometimes therapeutic functions, with the aim of connecting us with one another but also with the world around us, with other species, with soil, water and even the universe. In this book, the reader will find new ideas, and utopian propositions but also practical solutions for reinterpreting and reconnecting with the world around them. Taking food as a key medium of encounter, both between people and also with the more than human world, the designers featured in this book consciously operate in a multi-scalar realm – from the invisible microbial life that lives in our gut to the vast landscapes transformed by agricultural practices. Designs for more than one are those that take into consideration not just their immediate user or client but the many constituents inevitably impacted by any new object or action.408 pages16.5 x 24 cm,SoftcoverOnomatopee (Eindhoven).

Archival Print2022Giclee print on Sihl Masterclass cotton (smooth)400 x 490mmEdition of 10To ensure responsible production we print per orderFramed option available - email us for pricing and information

We Jazz launches a new magazine bringing together contributors from such sources as Pitchfork, WIRE, Downbeat, The Quietus, Jazzwise, Deutschlandfunk Kultur, etc. Altering its title according to each issue's lead story, the first 128-page edition of the publication is entitled "World Galaxy" in connection to the cover story about Alice Coltrane written by US author Ashley Kahn. Other writers for the first issue include Phil Freeman, Debra Richards, Stewart Smith, Daniel Spicer, Peter Margasak, Andreas Müller, Matti Nives, Christian Adofo, Samy Ben Redjeb, 4AD's US Label Manager Nabil Ayers, plus more.Topics in addition to the Alice Coltrane opener in include Sun Ra in Egypt, Scatter label profile, John Corbett, vinyl production in 2021, free jazz hero Alan Braufman, Finnish guitarist Raoul Björkenheim's jazz photos from 1976-77, a collection of European modern jazz posters, Oiro Pena, records / books / design, etc."We wanted to create a quality magazine with top content and a very organic feeling," says the magazine's co-editor and AD / graphic designer Matti Nives. "To us that means inviting some of our favourite writers to come up with ideas about topics they would like to cover, and linking up with great local illustrators and photographers. We hope that the end result would differ from other prints out there and provide fresh ideas in relation to the music we love.

Studio Flek is a design practice based on Kombumerri Land, in the Yugambeh region (Gold Coast), and is run by married couple Lisa Miller (an experienced graduate of architecture) and Chris Miller (an industrial designer with a decade of public art experience & a recent graduate of Architecture).Scouring workshops and industrial areas for useful waste, Studio Flek happened upon a local stone masons' skip bins. Inspired by the stacking pattern than emerged when loading these offcuts into their van, ‘Odds & Ends’ showcases the inherent beauty of discarded stone and marble.