Dane Lovett

Dane Lovett’s flower paintings both embrace and eschew their historical, thematic and allegorical roots. Dark, often monochromatic and subtly tonal in their palette, the scores of works that populate the Melbourne-based artist’s debut book 'Flowers' gestures towards the syntaxes of minimalism and seriality as resolutely as they do the still life.

Where earlier works saw the artist construct still life arrangements from indoor plants and pop-cultural ephemera (VHS cassettes, vinyl records, CDs, ageing tech and the like) Lovett’s recent practice has seen him embrace repetition and delicate variation, with an unmistakably reductionist and art historical bent.

Here, he recasts French artist Henri Fantin-Latour’s 1864 still life Flowers: Tulips, Camellias, Hyacinths in countless murky, monochromatic iterations – a single vase of flowers becoming a site for sustained painterly exploration, variation and rhythm. Extended series of foxgloves and waterlilies in various unnatural tones follow.

As the curator and academic Rosemary Forde writes in her essay for the book, Lovett’s repetitions ‘each seem to emote uniquely’, his dark and muddy images allowing us to project ‘our own familiar scenes, moments, memories, aspirations, sorrows’.

104 pages
29 x 22cm
Section-sewn perfect bind
Softcover
Perimeter Editions (Naarm).