Ritual Candle Set
Brass Candle Stand

Archival Print2022Giclee print on Sihl Masterclass cotton (smooth)400 x 490mmEdition of 10To ensure responsible production we print per orderFramed option available - email us for pricing and information

Jeremy Plint is a Meanjin (Brisbane) based painter, ceramicist and art therapist. His visual practice examines the limited constructs of identity and the human form in reflection of personal narratives and environmental symbiosis. His current explorations in ceramics propose a new relationship between material, surface and the body through the ritualism of physical actions; the trace/record of which is found in the surface of his objects.

Acrylic + water-based aerosol. Clear Matt Coat on canvas510 x 760Jake Reston is a multidisciplinary Meanjin (Brisbane) based Artist interested in the exploration of shape and form. Working across canvas, timber and other mediums he applies an array of techniques speaking to a modern aesthetic giving voice to his re-imagined landscapes and forms.

Originally oil and enamel on plywood.Drum scanned and printed on archival Hahnmüle Photo Rag 308GSM.Limited Edition of 5.42 x 59.4cm.To ensure responsible production we print per order.Framed option available - email us for pricing and information.Gary Abkin was born in northern California, and studied painting at the California Institute of the Arts and subsequently the San Francisco Art Institute where he received a Bachelor of Fine Arts in painting. In 2003 he relocated from California to Queensland where he now resides.The artist has exhibited at the Caloundra Regional Gallery, the San Jose Institute of Contemporary Art, Palma Rosa Art Gallery, the Churchie National Emerging Art Prize exhibition, The Third Quarter Gallery, and his work has toured throughout Queensland by Flying Arts Inc. as part of the Regional Art Award exhibition.

2022 12 x 9 x 7cmStoneware & GlazePeta Berghofer is a Giabal and Jarowair (Toowoomba) based Artist working with clay as her medium and the vessel as her form. Her work references historically familiar form and function, but she disrupts these expectations of traditional vessel-based, ceramic art practices. Peta’s self-referential ceramics are most often presented as the same body of work, exhibited as abstracted still-life installations. Here, she plays with distinctions between the gallery and domestic spaces, engaging with historic and contemporary tensions between art, craft, and design.

Jeremy Plint is a Meanjin (Brisbane) based painter, ceramicist and art therapist. His visual practice examines the limited constructs of identity and the human form in reflection of personal narratives and environmental symbiosis. His current explorations in ceramics propose a new relationship between material, surface and the body through the ritualism of physical actions; the trace/record of which is found in the surface of his objects.