Gabrielle White
After Georgia O’Keeffe (1)

2021Acrylic on canvas63 x 92cmPippa Makgill is a New Zealand-born, Australian-based painter and sculptor. Pippa's work addresses the idea of shifting materiality, and the presence of the 'formless' within space. She often applies the concept of 'fluidity' to her work - capturing gesture within static mediums - and is deeply compelled by edges and how they can pull on the body's sensual gauge of sight, surface and form.

11cm diameterFood safe: hand wash onlyEach Lawn Bowls piece is handmade in Meanjin (Brisbane) by Finn O`Sullivan. Finn’s glasswork is made through a continual process of observing how decorative objects enrich our experiences of domestic spaces.Every piece is unlike the last. Small irregularities and wayward details adorn each piece.

Sterling Silver ball chain hangs both in front and behind the ear, suspended from sterling silver posts and nuts. Hanging length: approx. 8.5cm.Available in two colours: bright silver, and dark silver.Paula Dunlop is an Artist, Designer and Maker based in Meanjin (Brisbane), Australia. Her work is sometimes for the body, sometimes not; she creates both wearables and non-wearables, working contemporaneously across the two and in their in-between spaces.  Her jewellery is materials- and process-driven; she takes her lead from the possibilities presented by the materials, or by exploring and extending time-honoured (and often time-consuming) construction techniques. 

The Chain Link Necklace in blue features glossy Italian cellulose acetate, accented with a complementary blue colour-coated stainless steel carabiner.The necklace measures 54cm in length, and comes with a logo metal tag detail and branded dust bag.

Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.Taylor’s portraits and allegorical tableaux – populated by friends, family members, strangers on the street, athletic stars and entertainers – display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture.240 pages191 colour illustrations28 x 23 cmManic Books

Following on from his epic 2016 book for Perimeter Editions, S-O-M-E-O-N-E, Laith McGregor’s latest publication forges a somewhat unlikely dialogue between the artist’s often divergent processes and aesthetic outcomes. Drawing on two very different but interlinked bodies of work – McGregor’s long-running Island Drawings and more recent Island Collages – the book juxtaposes the Australian artist’s meticulously rendered, monochromatic drawings with his spontaneous, colour-rich and playfully formal collages.Archipelago skirts a line between artist book and monograph, wrangling McGregor’s works in a loose, intuitive fashion, all the while affording them the critical attention they demand. Featuring an incisive text by prominent Brisbane-based curator and writer Hamish Sawyer, the book sees McGregor continue his at once lively, conceptual, idiosyncratic and methodical explorations of a wider premise that broaches travel, diarism, exoticism, representations of the Pacific and expanded notions of the portrait.Like much of McGregor’s work, Archipelago feels measured and precise one moment, easy and breezy the next.72 pages32 x 24 cmSection-sewn hardcoverPerimeter Editions (Naarm).